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Gravură în acvaforte după Rembrandt van Rijn „Mama lui Rembrandt in vesminte de vaduva”, secolul XVII-XVIII
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Gravură în acvaforte după Rembrandt van Rijn „Mama lui Rembrandt in vesminte de vaduva”, secolul XVII-XVIII.
Gravură realizată în tehnica acvaforte, copie in revers după lucrarea originală a lui Rembrandt. Semnătură în placă. Tipărită pe hârtie manuală cu linii paralele, fără filigran vizibil.
Dimensiuni foaie: 13,7 × 11,5 cm (margini tăiate; urma plăcii nu este vizibilă).
Stare de conservare: hârtie veche cu brunisari; colțul stânga jos rupt; uzură normală pentru vârstă.
Pentru comparatie vezi colectia British Museum unde se afla un exemplar din aceasta serie:
Object Typeprint
Museum number1843,0607.213
DescriptionThe artist's mother in widow's dress and black gloves, three-quarter length, sitting almost in profile to left at a table; first state before heavy rework; copy in reverse after Rembrandt
Etching
Etching
School/styleDutch
Production date1630s (circa?)
Materialspaper
Techniqueetching
DimensionsHeight: 150 millimetresWidth: 115 millimetres
Inscriptions
- Inscription type: inscription
- Inscription content: Lettered with Rembrandt's signature, in top left: "Rembrandt f.".
Curator's commentsFor comment see F,6.114.
Bibliographic referencesNew Hollstein (Dutch & Flemish) / The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450-1700 (91) (Rembrandt; copy a.I)(91)Hind 1923 / A Catalogue of Rembrandt's Etchings; chronologically arranged and completely illustrated (91) (rejected as Rembrandt)(91)White & Boon 1969 / Rembrandt's Etchings: An Illustrated Critical Catalogue (343) (copy 3)(343)
LocationNot on display
Associated namesPortrait of: Cornelia Willensdr. van Rijn
Acquisition namePurchased from: W & G Smith
Acquisition date1843
Acquisition notes1843,0607.1 to 233 is the so-called 'second' collection of etchings by Rembrandt purchased by the Trustees from W & G Smith in 1843 to form a series that was intended to be consulted by visitors to the Print Room, in order to save wear and tear on the 'first' series, which contained the rare states and valuable items and which was to be reserved for connoisseurs and experts in the subject. See Josi's report to the Trustees dated 5 July 1843. Since 1843 many of the prints have been sold or exchanged as duplicates.View lessabout acquisition notes
DepartmentPrints and Drawings
Registration number1843,0607.213
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